Top Ten Albums of 2016

I’m a little late with the list for 2016, but I’m happy to once again post this annual exercise.

Sturgill SimpsonA Sailor’s Guide to Earth

The music is an interesting take on modern country music, and the lyrical concept is a love letter to his infant son. This came out the week I found out I was going to be a father for the first time. It became the soundtrack to that journey, up until my son was born in December. I will love this album for the rest of my life.

Iggy PopPost Pop Depression

He says his recording career is wrapping up, and I believe this is the perfect way to go out. He recruited Josh Homme – another of my all-time favourite musicians – to make this album, and the result is a rock n’ roll tour de force. Iggy at 69 is both raw and refined.

Tanya TagaqRetribution

When music defies all labels and the artist herself powerfully commands respect and space for her people in all realms, that’s revolutionary. Her last collection of songs took me places I never imagined music could, and this one took me even further.

A Tribe Called RedWe Are the Halluci Nation

They’ve gone from providing the soundtrack to the urban Indigenous experience to creating a global Indigenous movement that celebrates beauty, creativity, and positivity. The songs are a fun and exciting musical blend of electronic, powwow, and hip hop that follows a pretty compelling narrative.

MeshuggahThe Violent Sleep of Reason

No other band makes heavy metal as precise and powerful as Meshuggah does. These Swedish juggernauts have an unmistakable sound that’s complex and captivating, and decades into their dominant run, they’re stronger than ever.

Danny BrownAtrocity Exhibition

I’ve always appreciated how dark and weird Danny Brown can make hip hop, and this one goes deep on both fronts. His skillful eccentrics yield some pretty serious bangers, while going to some harsh and profound places in between.

Big BusinessCommand Your Weather

Going back to their roots as a two-piece has somehow created louder, stronger songs than on their last (also excellent) album. Some may consider it a stretch to call Big Business “metal”, but I think they’ve created some of the most unique and enjoyable music in the genre.

The MelvinsBasses Loaded

Their production pace is roughly an album a year, and while recent output has ranged from just okay to deadly, Basses Loaded lands on the deadlier end of that spectrum. It may seem like a gimmick, but using a different bass player for each song results in a pretty eclectic heavy sound.

PJ HarveyThe Hope Six Demolition Project

I really enjoyed her music back in the day, but she kind of fell off my radar in recent times. My buddy Chunk highly recommended this new one, and I was glad he did. Her beautifully commanding voice remains on a righteous pedestal, and the album’s mostly gloomy vibe is right up my alley.

Run the Jewels 3

I’m still getting to know this Christmas miracle, but I already like it more than Run the Jewels 2, which I didn’t think was possible. This hip hop powerhouse only seems to be getting better and better, making some of the most important music for our times.

And the rest of what I really enjoyed in 2016:

David BowieBlackstar
Nine Inch NailsNot the Actual Events
A Tribe Called QuestWe Got it From Here…Thank You 4 Your Service
WHOOP-szoCitizen’s Ban(ne)d Radio
Black MountainIV
TestamentBrotherhood of the Snake
Saul WilliamsMartyrLoserKing
Jim BrysonSomewhere We Will Find Our Place
BeyoncéLemonade
Aesop RockThe Impossible Kid
DeftonesGore
Dillinger Escape PlanDissociation
MetallicaHardwired…to Self Destruct
RadioheadA Moon Shaped Pool

What was your favourite music from 2016?

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Top Ten Albums of 2014

Here’s my annual year-end favourite albums post! 2014 was the most eventful year of my life, and music highlighted the great times and pulled me through the tough times. What were your favourites?

Tanya TagaqAnimism

Although my top pick usually goes to what I listened to the most by the numbers, this year, sheer importance and merit greatly overshadowed my customary criterion. This masterpiece combines powerful traditional and contemporary musical elements, created and fronted by a true visionary and genius who has an unwavering passion and dedication to her Inuit throat singing roots. The accolades and awards are well-deserved.

The New PornographersBrill Bruisers

This album was the nicest surprise of the year for me. I’ve been a fan since they first formed as a quasi-supergroup, and I believe this is their strongest effort since those early days. The songs are catchy, fun, and sometimes eerie. There are intriguing layers to hear, and the result is the feel-good album of 2014.

Ty SegallManipulator

A lot of bands these days try hard for that throwback, straight-up rock n’ roll sound, but few pull it off. Leave it to this young gun to do it properly and put his own stamp on it. When I hear albums like this, I know that rock n’ roll will never die.

Run the Jewels 2

Loud and fun enough to be a party album, but serious enough to relay some important messages. This power duo of rap put together some real bangers, and invited some pretty stellar guests on board, including one of my all-time favourites, Zack de la Rocha.

Antemasque

This is the latest branch in the At The Drive-In family tree, specifically off-shooting from The Mars Volta. Unlike that incarnation, this is straightforward rock music in powerful, conventional doses. I found that focus enjoyable and refreshing.

MastodonOnce More ‘Round the Sun

Yes, they are a changed band. But listening back to Remission, there are many underlying elements of rock music there, so a full departure from metal to rock shouldn’t be so surprising, in my opinion. The guitar work is as intricate and compelling as ever, and any player should appreciate this album.

Killer Be Killed

Metal fans either loved or hated this album. I’m in the former camp. This “supergroup” pulled together a pretty fun and heavy collection of songs that incorporates influences of each band from where they come – Sepultura, Dillinger Escape Plan, and Mastodon. It was my driving album of the year.

Jack WhiteLazaretto

In my eyes, he can do no wrong, and this was a huge step up from his first solo album (which I still really enjoyed). I think the White Stripes was just a gimmick to get attention so he could get to this point of musical freedom.

Death From Above 1979The Physical World

If this came out soon after their breakthrough album, we likely would have forgotten about it and them altogether. But because it’s been so long, I was interested. Although it’s nothing new or groundbreaking, it is their signature sound, which is just as compelling as it was a decade ago.

Digging RootsFor the Light

Soulful, serene, and sexy. They continue to make me proud to be a fan and a friend.

Honourable mentions:
Freeman
The Great SabatiniDog Years
The MelvinsHold It In

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